Before Jodie Rattler became a star, she was a girl growing up in St. Louis. One day in 1955, when she was just six years old, her uncle Drew took her to the racetrack, where she got lucky --- and that roll of two-dollar bills she won has never since left her side. Jodie thrived in the warmth of her extended family, and then --- through a combination of hard work and serendipity --- she started a singing career, which catapulted her from St. Louis to New York City, from the English countryside to the tropical beaches of St. Thomas, from Cleveland to Los Angeles, and back again. Jodie comes of age in recording studios, backstage and on tour, and she tries to hold her own in the wake of Janis Joplin, Joan Baez, Judy Collins and Joni Mitchell. Yet it feels like something is missing. Could it be true love? Or is that not actually what Jodie is looking for?

As a teenager, Ella Fitchburg found love that consumed both her and her boyfriend, Jude, as they wandered the streets of New York City together. But her glorious life was pulled out from beneath her after she was accused of trying to murder Jude’s father, an imperious superior court judge. When she learns she’s pregnant shortly after receiving a long prison sentence, she reluctantly decides to give up the child. Ella is released from prison after serving only six years and is desperate to turn the page on a new life, but she can’t seem to let go of her past. With only an address as a possible lead, she moves to Ann Arbor, Michigan, determined to get her daughter back. Yet a central mystery endures: neither Jude nor Ella can remember the events leading up to the attempted murder --- that fateful night that led to Ella’s conviction.

All that bestselling author Eleanor Dash wants is to get through her book tour in Italy and kill off her main character, Connor Smith, in the next installment of her Vacation Mysteries series. Is that too much to ask? Clearly, because when an attempt is made on the real Connor’s life --- the handsome but infuriating con man she got mixed up with 10 years ago and now can't get out of her life --- Eleanor is enlisted to help solve the case. Contending with literary competitors, rabid fans, a stalker --- and even her ex, Oliver, who turns up unexpectedly --- theories are bandied about, and rivalries, rifts and broken hearts are revealed. But who’s really trying to get away with murder?

Natalka and Edwin are perfect, if improbable, partners in a detective agency. Eighty-four-year-old Edwin is a master at surveillance, deploying his age as a cloak of invisibility. Natalka, more than 50 years his junior, is a math whiz who takes any cases concerning fraud or deception. She loves a murder, but none have come the agency’s way. That is until local writer Melody Chambers dies. Melody’s daughters are convinced that their mother was murdered. Edwin thinks that Melody’s death is linked to that of an obituary writer who predeceased many of his subjects. Edwin and Benedict go undercover to investigate and are on a creative writing weekend at isolated Battle House when another murder occurs. Are the cases linked, and what is the role of a distinctly sinister book group attended by many of writers involved?

Claire Matchett needs this trip. It will be a break from work and raising children. A chance to repair her damaged marriage. A week of hiking and hot tubbing with friends at a luxurious hotel in the woods, disconnected from the pressures of real life. Then, on a lonely dirt road, Claire's minivan breaks down. With no cell reception, the group has no choice but to walk the rest of the way to their remote accommodation. But the forest is dark and difficult to navigate; hours later, they are lost. Hopelessly lost. As they venture deeper into the woods, the members of their party are struck down mysteriously, one by one. Are they being hunted? And by what --- or who? As Claire's dream vacation descends into a nightmare, something becomes clear: only one of them will return home alive.

It’s midsummer in Wyoming, and Alexandra Fuller is barely hanging on. Grieving her father and pining for her home country of Zimbabwe, reeling from a midlife breakup, freshly sober, and piecing her way uncertainly through a volatile new relationship with a younger woman, Alexandra vows to get herself back on even keel. And then, her 21-year-old son, Fi, dies suddenly in his sleep. Alexandra is painfully aware that she cannot succumb and abandon her two surviving daughters as her mother before her had done. From a sheep wagon deep in the mountains of Wyoming to a grief sanctuary in New Mexico to a silent meditation retreat in Alberta, Canada, Alexandra journeys up and down the spine of the Rocky Mountains in an attempt to find how to grieve herself whole.

Colton Gentry’s first hit in nearly a decade has caught fire, he’s opening for country megastar Brant Lucas, and he’s married to one of the hottest acts in the country. But he’s hurting. Only a few weeks earlier, his best friend, Duane, was murdered onstage by a mass shooter at a country music festival. One night, Colton stands before a sold-out arena crowd of country music fans and offers his unfiltered opinion on guns. It goes over poorly. Immediately, his career and marriage implode. Left with few choices or funds, he retreats to his rural Kentucky hometown. He’s resigned himself to has-been-dom, until a chance encounter at his town’s new farm-to-table restaurant gives him a second shot at life: a job working in the kitchen with Luann, his first love, who has undergone her own reinvention.

In McFalls County, local crime boss Gareth Burroughs runs everything on the mountain. And Nelson “Nails” McKenna has been his enforcer since he was a teenager, though his heart is not really in the dirty work. Then one night in a local roadhouse, Nails goes too far, defending a woman, and even Burroughs’ reach can’t get him out of this one. With a dead body and countless witnesses, Nails and the woman become fugitives on the run, and unlikely partners. But on the road to Jacksonville, where a possible escape awaits, there’s more than one interested party on the pair’s trail, and the glimpse they had of getting away scot-free suddenly seems elusive. In the end, Nails must make one final stand for his freedom --- or pay with both of their lives.

On a foggy winter morning, high school kids Luca and Emma discover the impossible: the wreck of an 18th-century ship stranded in a flower field. Emma enters the hatch on the deck and is never seen again. And she isn’t the last to disappear. Soon a government agency begins to investigate, determined to uncover the ship’s secrets before a media storm erupts. They enlist Robert Grim, a retired specialist of the occult, to unravel the mystery, and he soon realizes the ship could be a harbinger of an ancient doom awakened under the sea. In a maelstrom of international intrigue and pure terror, Grim and Luca must race against time as they come face-to-face with an open doorway to the apocalypse.

After a tumultuous childhood, Christa Liddle has hidden away, both figuratively and literally. Happily studying sea snails in the middle of the Indian Ocean, Christa finds her tranquil existence thrown into chaos when her once-famous father --- long thought dead after a plane crash --- turns out to be alive, well and ready to make amends. The world goes wild, fascinated by this real-life saga, pinning Christa and her family under the spotlight. As if that weren’t enough, her reunion with an old childhood friend reveals an intense physical attraction neither was expecting and both want to act on…if they can just keep a lid on it. When her father’s story starts to develop cracks, Christa fears she will lose herself, her potential relationship, and any chance of making it back to her snails before they forget her completely.

In her time, Anna May Wong was a legendary beauty, witty conversationalist and fashion icon. Plucked from her family’s laundry business in Los Angeles, she rose to stardom in Douglas Fairbanks’ blockbuster, The Thief of Bagdad. Fans and the press clamored to see more of this unlikely actress, but when Hollywood repeatedly cast her in stereotypical roles, she headed abroad in protest. Anna May starred in acclaimed films in Berlin, Paris and London. She dazzled royalty and heads of state across several nations, leaving trails of suitors in her wake. She returned to challenge Hollywood at its own game by speaking out about the industry’s blatant racism. She used her new stature to move away from her typecasting as the China doll or dragon lady, and worked to reshape Asian American representation in film.